Videography Services
Video made for where it's going to be watched
Most video budgets get spent on one polished film that lives on a homepage and gets watched four hundred times. We'd rather plan the shoot around what the campaign needs: the hero piece, yes, but also the clips, the vertical edits and the stills that come out of the same day. One shoot, a whole quarter's worth of assets.
One shoot should produce a quarter of content
The difference between an expensive film and a productive one is what got decided before the camera arrived. If we know the vertical cut needs headroom for captions, the shot is framed for it on the day rather than cropped badly afterwards. If we know six LinkedIn clips are coming out of it, the interview is structured to produce six clean answers instead of one long one.
- Hero piece and its clips planned in the same brief
- Assistance with scripting
- Coaching for those not used to being on camera
- Vertical and square framed on the day, not cropped later
- Stills captured alongside, so the campaign gets artwork too
- Branding and subtitles as standard: most video content is watched on mute

The films that have to do a job
Brand films, customer stories, event coverage, recruitment, explainers. The useful question is usually not what the video should say, but where someone will be when they watch it and what they need to do next. A customer story playing silently in a LinkedIn feed and a two-minute film embedded on a sales page are different edits of the same shoot.
- Brand and company films
- Customer stories and testimonials
- Event and conference coverage
- Recruitment and internal comms
- Product and explainer video

One team, from the brief to the final cut
Our graphic designers and videographers sit alongside the people running your campaigns, which is rather the point. The brief comes out of the campaign, the shoot gets planned around the edits it has to produce, and the person cutting it already knows what the paid team needs by Friday. Nothing is handed across an agency boundary and comes back slightly wrong.
What you get
Why bring us in for video

Questions we get asked
Do you shoot in-house?
Yes. Our graphic designers and videographers are part of the team and work alongside the people running your campaigns, rather than sitting in a separate production department with its own queue.
Can you work from footage we already have?
Yes, and it's often worth asking. There's usually more usable material in an archive than people expect, particularly for social clips.
What does a shoot cost?
Ballpark £3,000 to £5,000 for a half-day shoot and the edit. We provide all the equipment: cameras, lights, sound and autocue.
How long from shoot to delivery?
Anticipated turnaround is seven to ten days, including review rounds.
Got a shoot coming up?
Tell us what the campaign needs and we'll plan the day around it.
It usually costs no more and produces a good deal more.